The spiral effect in this short-short from The New Yorker is excellent; a textbook example of a successful one-page* fiction.

Well known narratives not as an idealised version, but as pointed articulations of looking at sedition, subversion, power, influence, control or authority.

On the condition of being an artist and the reasons why an artist is compelled to live, and cannot settle.

Darker aspects of motherhood are real, and natural transgressions are not enough spoken about in this way.

Each mock-up here exists as its own re-enactment; very much in the realm of metaphor.

Handed down to timelessness are five most enchanting hats by Leonora Carrington, meticulously sketched in small brushstroke, with gouache on paper.

Rankine wraps around subject-matter like charm work.

The assumed absence of music makes room for spectacular sound and sight, at every turn of a spoon, and turns many a sequence into its own stand-alone miniature climax.

Curiosity furies at the core of the epic hand-drawn 2D feature by Hayao Miyasaki.

A very potent testament to our own agency in the myriad individual lived experience we incarnate in the world.

Emily Dickinson turns her fears into splendour and is not afraid reflecting that she does not understand everything.

A magnetic hero’s journey, addressing good governance, mentorship, selfhood, and male hegemony.

Writing that feels akin to that of a genius art critic, as imperceptible nuances come into sharp focus and superbly astute, reliable inferences.

With poetic sensitivity and impressive sagacity Romain Graziani debunks the enigma of hapless wilfulness, to beget an aesthetic to live by.

A film about repair and the importance of relationship, where direct encounters bring about potentials for mending, and where every attempt is a leap.

Shonda Rhimes’ confident writing explores unerasing erasure in a world where anyone aware of the rules of play, stands a chance.